Table of Contents
- Opening Intercultural Spaces — Crossing Borders (by Rea Dennis). Page 1
- From the Editor. Page 2
- IPTN President´s Letter. Page 2
- Whose Story is it Anyway? Playing with Race and Identity in South Africa (by Paula Kingwill). Page 4
- Afinal, de quem é esta historia? Encenando raças e identidades na África do Sul (by Paula Kingwill). Page 6
- 說到底，這是誰的故事？ ──在南非演繹種族與身份 (by Paula Kingwill). Page 8
- Itan Taa Ti E Ni? Yiyiiri eya ati idanimo wo ni Orile South Africa. Page 11
- SPD “Human Resource Development” Project and Playback Theatre in Lithuania (by Rasa Urbsiene). Page 13
- Dialogue in Playback Training (by Bev Hosking). Page 14
- A Specialist Approach to Conductor Training in Finland (by Päivi Ketonen). Page 16
- Piccilo E’ Bello: Meta Playback Theatre (Italia) e SOG Theater (Austria) (by Elena Roncoroni). Page 20
- Klein aber fein: Meta Playback Theatre (Italien) und SOG. Theater (Österreich) (by Elena Roncoroni). Page 21
- Little is Beautiful: Meta Playback Theatre (Italy) & SOG Theater (Austria) (by Elena Roncoroni). Page 24
- Traveling and Teaching in Thailand: Introducing playback in another culture (by Mountaine Mort Jonas). Page 26
- Playing with Endless Potential – a personal view; potential of Playback for people with dementia (by Tanisha Jowsey). Page 26
- An Audience Persepective (by Stig Seig). Page 30
- Global Human Rights Performance (by Eric Brunner). Page 31
- Report from the Emergency PT Europa Gathering (by Brian Tasker). Page 32
- Playback Theatre e Chile (by Loreto Campusano). Page 33
- Playback Theatre in Chile – a personal view (by Loreto Campusano). Page 35
- International Recognition – Jonathan Fox (by Aviva Apel-Rosenthal). Page 40